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They are all different lectures, not for classes here, but lectures that I present at other universities. There are bags at our feet that look like they are not sorted out, but in fact they are. Krumpak: So that tradition continues, and from those photographs, you know, they make these drawings or paintings or whatever. Tons of equipment, rolling carts with sound systems on them, which I roll into my classes. There are paintings from past and present, and the beginning stretcher bars for future. There are stacks of books, of course, which are laying in the wrong direction, but I know where everything is, sort of. As you can see sitting here, we’re surrounded by almost every imaginable art-related thing on the planet. So, this office has good memories in that way, for sure. Creative, smart, compassionate to his students. And it’s not because we always saw things the same, but because he was just a fantastic person to be around. So, I would say that in my time with him, over many years, I don’t think we ever had one serious disagreement. Krumpak: We’d laugh and see the absurdity of much of it. One of the great things about being here with John was that when we had to go to faculty meetings or a variety of meetings across the campus-and they were completely absurd- we’d come back to the office with a double cappuccino and a pastry and slam the door and go, “Oh, my god!” Krumpak: I was in the front and he was in the back with the window. Because when he retired, you took over the combination of the two offices, because you were in the front… And, so, I’ve been in this office for probably fifteen years. I just saw him yesterday, as a matter of fact. And who I’m still very good friends with. Krumpak: Actually, I was in an office around the corner and down the hall for a while when I first got here, and then I moved into this office with John de Heras, who was my officemate and absolutely one of my very best friends, and a special person on the planet. So, that’s a lot of time to cover.īach: And you’ve been in this office for… But, I have tenure here, and this is my thirty-first year. And I’ve lectured at many, many other universities. I taught at Skidmore in New York, where we taught together that summer as part of the Summer Six program. UC Santa Barbara, Art Center College of Design, in England at Plymouth College of Art and Design. I got my MFA degree, and then I left and taught, as you know, at a bunch of different places. Tom Krumpak: Well, I’ve been at Cal State Long Beach for thirty-one years, and, in terms of credited time, probably longer than that, because I was here first as an MFA student. How long have you been here? How has being here affected your work as an educator and a painter in Los Angeles? Let’s talk about the office, the second floor of the FA4 building. Glenn Bach: I was going to start with the studio in Mar Vista, but since we’re here in your office at Cal State, let’s start here.